he image of the industrial economy as a great machine oiled by the sweat and blood of its workers has been a common trope for Marxist and anti-capitalist writers. Much has changed since the industrial revolution inspired such metaphors, but the costs of lubricating social processes remains a relevant issue in these post-industrial, accelerated, and uncertain times. Based on the last two decades of social and cultural studies, one could gather that the world we live in is becoming increasingly fluid (Bauman) and mobile (Urry). But what enables social and cultural “matter” to flow at increasing rates?
y Berlin research files are organized under a number of folders, including one for “Tourism Debates” and another one for “Gentrification Debates.” These days, I’m thinking I need to merge these two folders, since the debates have become increasingly intertwined (and often hopelessly confused). In a recent opinion article in Die Zeit online, entitled, “Burn the Tourists” (“Touristen anzünden”), David Hugendick complains that left-political anti-gentrification discourse has taken an ironically xenophobic turn by harnessing anti-tourist (and, more broadly, anti-foreigner) sentiment. Of course, this article is almost interchangeable with a wide range of opinion pieces that have been appearing in mainstream German-language newspapers in the last while, part of a larger (and older) pattern in Berlin of countering critical voices from the left by associating them with violent tactics and contrarian positions.
In any case, although it is debatable whether (more…)
olks, I need your help. I’ve been seeing a trend in indie and eletro-ish music videos towards scenarios that involve ostensibly “straight” young men and older drag queens, usually involving some sort of wordless, eye-to-eye communication that causes some sort of transformation or breaking of boundaries. I want to figure out what this is about and why this is a popular theme right now, but first I need to build an archive of them. You can help me by posting links to music videos in the comments (or emailing me if you prefer), and then I’ll update this blog post and add your suggestions.
Here’s what I have so far: (more…)
‘m back! Well, sort of.
As you probably noticed, I’ve been rather silent on this blog for the past couple of months. Sometime around mid-April, I realized that the deadlines for the submission of the final draft of my dissertation aligned with travel plans for both me and my committee members in such a way that I needed to either defend my dissertation in mid-June (with plenty of time to revise post-defense) or in mid-July (with barely a week to do all revisions). I went into Emergency Dissertation-Finishing Mode (more…)
n this post, I want to make the somewhat counter-intuitive argument that there are some privileges to being a local DJ. In so doing, I’ll also explore how the privliges of being local intersect in surprising ways with vinyl/digital debates and ideas about expertise, labor, artistic value, authenticity, and so on. More broadly, I’ll be making some arguments about how privilege works in Electronic Dance Music (EDM) scenes and why this should make us re-think how we understand our commitment to the values of inclusiveness and equality that are part of the history of EDM scenes (if sometimes in contradictory ways). You might ask why I use the term “privilege” here instead of “advantage” or “benefit.” This is because the notion of privilege helps give me clarity about how the ease or difficulty of doing something can say something about the uneven distribution of access, opportunity, and resources in society. I’ll come back to privilege in a moment, but let’s begin first with brighter side of local-ness. (more…)
ello there! I bet you’ve been wondering where I’ve been. The short answer is: in Chicago. The slightly less short answer is: on the job market and applying for every fucking post-doc on the planet. So, things have been a little busy over here. Also, relocating across the Atlantic, writing new dissertation chapters, revising old dissertation chapters, submitting two new journal articles and reviewing two books is keeping me rather occupied.
But I’m back. I’m no less busy—that’s for sure—but I have days and days worth of ideas and stories that I want to publish here and I’m quickly realizing that there is never a “good time” to sit down and write new, unsolicited, non-deadlined material. But before I even post a link to that amazing set of sketches about Berghain or comment on the recent spate of homophobia-related violence or write a short essay on the problem of doing academic work on a “fun” topic…I want to indulge in some nostalgia and write a brief review of my last weekend in Berlin this summer. Some of the events described here will reappear as a feature in Resident Advisor very soon (i.e., the Luna Land party and the drama behind it), so stay tuned for that, too!
Part of what made this weekend especially epic was the presence of a friend from Britain, whom I had met last spring at DEMF / Movement (in Detroit). In the interest of privacy, I’m going to give him the obviously fake name of Milhouse, which should also make for some amusing resonances with The Simpsons as you read through this.
Thursday, Aug 26: Heiligenfeld #1 at Watergate
Milhouse arrived in the early afternoon, (more…)
ust a few days ago, I wrote a satirical-but-I’m-only-half-joking post on “DJ bios,” the marketing strategics that go into them, and the clichés that make them sometimes absurd and unreal. And then, just this morning, a friend of mine sends me a link to another blog, where the author gives tips on “How to be a shitty plus one.”
Here’s a bit of explanation for those who aren’t familiar with this bit of shorthand: (more…)