t’s been ages since I’ve posted on here, and I’m both saddened and frustrated that it’s taken the anniversary of the Pulse Orlando massacre for me to get back to writing about these sorts of issues. The shootings at Pulse, a gay club in Orlando, Florida, USA, took place exactly one year ago, when I was working on a book manuscript about intimacy, belonging, and affect on the (electronic music) dancefloor. As the summer went on and the shockwaves from the attack continued to reverberate within queer Latinx/QTPoC, I found myself writing a very different epilogue to the book than I had planned. I’m still putting the finishing touches on the manuscript, but I thought I would share an excerpt from the epilogue, which recounts the aftermath of the Pulse shooting and begins to reflect on what that might mean for queer public intimacy, shared risk/trauma, and historiography.
I learned of the Orlando massacre right after returning home to Birmingham after a week spent teaching at a summer school in Prague. After the plane landed (more…)
o, last week, an article of mine was published on Resident Advisor, entitled “An alternate history of sexuality in club culture.” It’s success was truly surprising—especially considering that the whole thing ran well over 8,000 words long! Despite its exceptional length, one of the hardest challenges I had in writing this article was to keep it short(er), because there was just so much to write about. That’s also a good thing, in the sense that it means that there’s still a lot to say about queer nightlife and club culture, but I was especially pained to have only included a few brief quotes from the fantastic email-interview I did with Terre Thaemlitz/DJ Sprinkles. Despite being a very busy producer, speaker, alternative historian, etc., she was immensely generous with her time, answering all of my questions in great detail. It seemed a tragedy that most of the interview wouldn’t make it into the RA article, so I’ve arranged to have the full interview published here (more…)
Magnolias blooming off of Washington Square, NYU Campus, during the IASPM/EMP 2012 conference.
oly crapsticks! I’ve been away from LMGMblog for an inexcusable amount of time. I’ve been quite the busy bee, though. I got a few things published here and there, did some editing on a dissertation chapter that should hopefully turn into a journal article, gave two different papers at two conferences on either side of the Atlantic, and started a new research phase for my current “techno-tourism” project. Oh, and I saw Laurent Garnier play in both Berghain and Panorama Bar last month. I’ve been very busy.
So, here’s a more detailed list of what LMGM’s been up to these past two months, with relevant links and pretty pictures:
“Pass This On” by The Knife. A (rather muscular) drag queen singing in what looks like a Bavarian Football club.
olks, I need your help. I’ve been seeing a trend in indie and eletro-ish music videos towards scenarios that involve ostensibly “straight” young men and older drag queens, usually involving some sort of wordless, eye-to-eye communication that causes some sort of transformation or breaking of boundaries. I want to figure out what this is about and why this is a popular theme right now, but first I need to build an archive of them. You can help me by posting links to music videos in the comments (or emailing me if you prefer), and then I’ll update this blog post and add your suggestions.
“Pass This On” by The Knife. The young man who is drawn to her.