o, last week, an article of mine was published on Resident Advisor, entitled “An alternate history of sexuality in club culture.” It’s success was truly surprising—especially considering that the whole thing ran well over 8,000 words long! Despite its exceptional length, one of the hardest challenges I had in writing this article was to keep it short(er), because there was just so much to write about. That’s also a good thing, in the sense that it means that there’s still a lot to say about queer nightlife and club culture, but I was especially pained to have only included a few brief quotes from the fantastic email-interview I did with Terre Thaemlitz/DJ Sprinkles. Despite being a very busy producer, speaker, alternative historian, etc., she was immensely generous with her time, answering all of my questions in great detail. It seemed a tragedy that most of the interview wouldn’t make it into the RA article, so I’ve arranged to have the full interview published here (more…)
ast week, I organized a two-day conference here in Berlin, which took the affective dimensions of urban soundscapes as its central theme. Running November 7th–8th at the Max Planck Institute for Human Development, the conference featured a mix of scholarly presentations and discussion panels that included professionals out of Berlin’s local music scene, as well as music/sound-related evening events (see the conference program at the end of this post). I’m still recovering from the whole thing (as well as from an opportunistic flu that jumped into my body as soon as the conference came to a close), but I wanted to post some of my impressions of the conference, while they are still vivid in my memory. Considering the vanishingly small operating budget and a similarly tight planning period, I’m somewhat amazed I was able to pull it off at all.
Plans for this conference first arose last July, (more…)
a Mission has been a big part of my life here in Berlin since last summer, but strangely enough it’s taken me nearly a year to get around to writing about it on this blog. Maybe I wanted to wait until the first round of multimedia craziness emerged from this performance art collective / music label / magazine, before I started crowing about it. Maybe I was too shy about discussing my own creative work. No, wait…I remember why: I was on the academic job market last fall, which meant that I got nothing else done.
La Mission is a lot of things, including a satirical doomsday cult, a music label, a magazine, an art collective, and a group of dance-music-lovers with a very dirty sense of humor. La Mission’s identity is perhaps best summed up by cult-leader El Jefe’s manifesto/sermon, “The Sermon for the Steps of the Ziggurat in our Hearts,” published in our first La Mission magazine: (more…)
Nothing makes you feel quite as alien and precarious as waiting in an immigration office, especially as you wait for a Beamter/in (clerk, officer) to make a decision about your future in Germany—based, it seems, primarily on their current mood and digestive health. And yet, one of my interviewees once claimed that she never felt more at home in Berlin than when she was at the Ausländerbehörde (immigration office), the Bürgeramt (citizen’s registration office), or the Finanzamt (finance and revenue office). And she has a point: when the process is successful, there is a sense of satisfaction and membership that you can get from interfacing with the behemoth that is German bureaucracy. But, as a foreigner in a foreign land, you remain at the mercy of this bureaucracy and the many people that work in it, and that sometimes means that your experience is far more alienating than welcoming.
Much of my research here on so-called “techno tourism” and music-related migration to Berlin has revealed the ways in which recently-arrived people manage to feel at home here, even before they have spent enough time to “integrate” culturally. But my recent experiences with Germany’s Ausländerbehörde has reminded me of how fragile this sense of being “at home” can be (more…)
eyond Germany’s borders, the debates over GEMA and its new tarif system rarely get much coverage, only spawning the occasional under-researched, “Will Berlin’s Nightclubs Perish?” sort of articles in the foreign press. But Berlin is an increasingly international city full of expatriates—many of them “creative” workers that have personal and professional links into the local music scenes here—and some of them have been blogging about this issue in their own language, explaining the issue to readers in their countries of origin while also informing their fellow expatriates in Berlin. I’ve been up to a bit of that myself in English, writing on recent anti-GEMA protests and translating pieces of German–language news items. But I can also translate from French and Spanish (among others).
So today, I thought I’d move laterally and (more…)
y Berlin research files are organized under a number of folders, including one for “Tourism Debates” and another one for “Gentrification Debates.” These days, I’m thinking I need to merge these two folders, since the debates have become increasingly intertwined (and often hopelessly confused). In a recent opinion article in Die Zeit online, entitled, “Burn the Tourists” (“Touristen anzünden”), David Hugendick complains that left-political anti-gentrification discourse has taken an ironically xenophobic turn by harnessing anti-tourist (and, more broadly, anti-foreigner) sentiment. Of course, this article is almost interchangeable with a wide range of opinion pieces that have been appearing in mainstream German-language newspapers in the last while, part of a larger (and older) pattern in Berlin of countering critical voices from the left by associating them with violent tactics and contrarian positions.
In any case, although it is debatable whether (more…)
esterday, there was yet another anti-GEMA demonstration held at Boxhagener Platz in Friedrichshain, just in front of the bar/club Stereo 33. There have been an ongoing series of these demonstrations in Berlin since at least late spring, but this event was interesting for how it mixed music and talk, as well as themes of culture and money.
For those of you who haven’t been living in Germany over the past year and haven’t been bombarded with (more…)