GEMA en français: French Coverage of the Anti-GEMA Protests

Screenshot from the front page of SACEM, the French equivalent of GEMA

eyond Germany’s borders, the debates over GEMA and its new tarif system rarely get much coverage, only spawning the occasional under-researched, “Will Berlin’s Nightclubs Perish?” sort of articles in the foreign press. But Berlin is an increasingly international city full of expatriates—many of them “creative” workers that have personal and professional links into the local music scenes here—and some of them have been blogging about this issue in their own language, explaining the issue to readers in their countries of origin while also informing their fellow expatriates in Berlin. I’ve been up to a bit of that myself in English, writing on recent anti-GEMA protests and translating pieces of German–language news items. But I can also translate from French and Spanish (among others).

So today, I thought I’d move laterally and

Better Know A District: Graffiti, Defacement, and the French Presidential Elections in the 20th Arrondissement of Paris

Translation of sticker over Sarkozy's eyes: “What banker ever complained about universal suffrage?” Sticker by Diktacratie*, an organization that is skeptical of claims to democracy, claiming that the current system doesn't really represent everyone.

t just so happens that my stay in Paris coincides with the final week running up to the first round of the French presidential elections. As you might imagine, the news in Paris is flooded with coverage and speculation. There are very tight laws in France about giving equal media coverage to all election candidates, so mentioning any aspect of the election necessitates also mentioning all the other aspects in equal measure. This makes for daily newspapers that look like textbooks. For example, one small commuter newspaper that I picked up while waiting for a friend offered a “comparative table” of the campaign platforms of all ten candidates. This involved a ten-row table, with so many columns, that it ran over three pages (some sample columns: Immigration, EU Debt Crisis, Environment, Work and Labor, Housing, Crime and the Legal System)—all of it in tiny, tiny print.

As I was passing by the métro station of Lamarck-Caulaincourt

On Being Back in Town: Paris

The view from my very first apartment in Paris, overlooking the boulevard péripherique.

eudi à jeudi, de retour à Paris. I haven’t been back to Paris in more than 1.5 years, which is pretty much the longest stretch of time I’ve been away from this city since the first time I came to do dissertation fieldwork in 2006. My last visit was really just a brief week-long visit (much like this one), so it’s really been 2.5 years or so since I’ve actually lived in this city.

This time, I was struck by how affectively small and un-intense my experience of return was.

Chapter 5. Smooth Experience/Rough Experience: Coming Undone and the Night Out

Tony Rohr and Elon at the Volatl/Clink party at DEMF 2010

rüße aus Berlin! I made it back to Berlin after the AAA conference in Montréal, and lately I’ve been something of a shut-in, mostly shunning the nightclubs (and thus neglecting my fieldwork, in a sense) and devoting my time to catching up with job applications, fellowship applications, conference papers, and so on. Nonetheless, I’m still committed to finishing this series of chapter-by-chapter summaries of my dissertation. More than halfway there!

(NOTE: This is the eighth installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)

My main argument in this chapter might sound a bit obvious to people who do any kind of nocturnal partying, but at the same time it’s surprisingly hard to describe and interpret in a coherent way. Essentially, I argue that, when most people go out—or plan on going out, or remember going out—their notion of what makes “a good night out” seems to involve the combination of contrary desires for

Chapter 4. Thickening Something: Music, Affect, and the Sense of the Social

Detroit Electronic Music Festival, 2010

kay. It’s been nearly three months since my dissertation defense, two months since my graduation, and two weeks since I moved to Berlin. Things have been crazy busy, but I’m still determined to finish this series of chapter summaries. It’s a surprising amount of work to summarize this gigantic, sprawling thing as a series of “plain English” blog posts. Anyway, here comes the affect!

(NOTE: This is the seventh installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)

This chapter is about tracing the connections between intensity and togetherness. The full version of this chapter wades into a fair bit of theory, but I’ll try to keep things streamlined here. Essentially, this is how I go about tracing the connections:

Chapter 3. Liquidarity: Vague Belonging on the Dancefloor

Mutek, Montréal, 2010

es, I know that it’s been more than two weeks since I defended my dissertation, and yet this chapter-by-chapter series on my dissertation is not even halfway finished. This is partially due to the fact that I had to take care of post-defense revisions and re-submit a final draft to the university before an immovable deadline. But this is also partially due to the fact that I partied and relaxed and partied and relaxed for quite a few days after the defense itself. I regret nothing.

(NOTE: This is the sixth installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)

So, this chapter expands the analysis of intimacy from the previous chapter to the broader scope of nightclub crowds. Whereas the previous chapter thought about intimacy primarily as contact between a pair of strangers, this chapter focuses on the loose social bonds that hold together a crowd of strangers at an EDM event (a party, a nightclub, etc). I develop a concept that I call liquidarity

The Other Acknowledgements

A fairy-ring of mushrooms grew overnight on the lawn during the NEH Summer Institute at Wesleyan

uring the preparation of the final, revised, post-defense version of my dissertation, I finally had to flesh out all of the “front matter” of my dissertation. The front matter usually includes things like an epigraph, a dedication, acknowledgements, a table of contents, lists of tables/figures/maps/etc., and an abstract of the dissertation. Writing the acknowledgements was surprisingly hard, and there were a lot of people, organizations, and things that I couldn’t acknowledge in a scholarly dissertation. But this is a blog, and I have considerably more freedom to shift between levels of formality and punch through layers of politics and politeness. So here are all the other things for which I am grateful, dissertation-wise.

Chapter 2, Part 2: Gender, Sexual Touch, and Rethinking Intimacy

Splendor in the Grass: the residue of pleasure in Lakeshore Park, Chicago

lthough the first half of this chapter describes EDM events as intensely tactile spaces where there is a greater openness to touch, it’s not like everyone at a nightclub is hungry for touch—sexual or otherwise—nor is everybody all that tolerant of being touched. And yet, touch is everywhere at EDM events. How does that work? How someone manages this diversity of attitudes towards touch in a crowd of strangers is one of the more obscure aspects of EDM tactility,

Chapter 2, Part 1: Touching Strangers: Touch and Intimacy on the Dancefloor

Somewhere in Paris, 11eme arr., 2006

ack when I had just returned from my second year of fieldwork in Paris, I had this great moment of short-circuited intimacy. I was at Souvenir#3 warehouse party (with Seuil headlining), when a woman came up and introduced herself as a Lola, a friend of some friends I had in Chicago. We talked briefly, and then went back to dancing. More than twelve hours later, as I was leaving the after-party, our mutual friend asks me and Lola if we had met each other. Lola replied, “Of course! We’re best friends,” and we gave each other a big hug and a peck on the cheek. When I wrote about it on my old blog a few days later,

‘Can You Feel It, Too?’: Affect and Intimacy at EDM Events in Paris, Chicago, and Berlin

Steve Bug at Freak n' Chic (in Batofar, Paris), September 2008

s I had mentioned in my last so-sorry-I’ve-been-gone post, I’m still putting the finishing touches on my dissertation ahead of my defense (which will happen in July, it seems). But I don’t want to slip away into another 2-month period of blog-silence, so I’ve given myself a dissertation-related blog project for the next couple of weeks.

Every couple of days, I’ll be posting brief summaries of parts of my dissertation, beginning with today’s overview and then following chapter by chapter. These will be written in plain English and in the informal style typical of most blog posts. These summaries serve three purposes: 1) as reading guides, to help non-specialist readers read my dissertation when it is published; 2) as practice for my defense, since this forces me to review all of my arguments and organize them in my head; and 3) as “reading excerpts” for people who might be interested in reading the full dissertation, but aren’t sure. In any case, my goal is to make these all short and easy to read.

Today’s post is about the dissertation as a whole, and gives you an overview of what the dissertation is about, how it’s structured, what my methods were, and so on.  My dissertation project arose out of a relatively simple observation: