Tony Rohr and Elon at the Volatl/Clink party at DEMF 2010
rüße aus Berlin! I made it back to Berlin after the AAA conference in Montréal, and lately I’ve been something of a shut-in, mostly shunning the nightclubs (and thus neglecting my fieldwork, in a sense) and devoting my time to catching up with job applications, fellowship applications, conference papers, and so on. Nonetheless, I’m still committed to finishing this series of chapter-by-chapter summaries of my dissertation. More than halfway there!
(NOTE: This is the eighth installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)
My main argument in this chapter might sound a bit obvious to people who do any kind of nocturnal partying, but at the same time it’s surprisingly hard to describe and interpret in a coherent way. Essentially, I argue that, when most people go out—or plan on going out, or remember going out—their notion of what makes “a good night out” seems to involve the combination of contrary desires for (more…)
kay. It’s been nearly three months since my dissertation defense, two months since my graduation, and two weeks since I moved to Berlin. Things have been crazy busy, but I’m still determined to finish this series of chapter summaries. It’s a surprising amount of work to summarize this gigantic, sprawling thing as a series of “plain English” blog posts. Anyway, here comes the affect!
(NOTE: This is the seventh installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)
This chapter is about tracing the connections between intensity and togetherness. The full version of this chapter wades into a fair bit of theory, but I’ll try to keep things streamlined here. Essentially, this is how I go about tracing the connections: (more…)
“Pass This On” by The Knife. A (rather muscular) drag queen singing in what looks like a Bavarian Football club.
olks, I need your help. I’ve been seeing a trend in indie and eletro-ish music videos towards scenarios that involve ostensibly “straight” young men and older drag queens, usually involving some sort of wordless, eye-to-eye communication that causes some sort of transformation or breaking of boundaries. I want to figure out what this is about and why this is a popular theme right now, but first I need to build an archive of them. You can help me by posting links to music videos in the comments (or emailing me if you prefer), and then I’ll update this blog post and add your suggestions.
“Pass This On” by The Knife. The young man who is drawn to her.
A ubiquitous tag in Lima, Peru, found near the Bajada de los Baños in Barranco
his is the third installment in my series of posts summarizing my dissertation, chapter by chapter (first post here). Today’s post completes the second half of the introductory chapter (first half here), which introduces and describes my main fieldwork sites (i.e., Paris, Chicago, and Berlin), and outlines my methods for conducting research.
(Note: The image for today’s post has nothing to do with my dissertation project and everything to do with the fact that I’m in Lima, Peru, right now. But the image has a cute graffiti tag, spanish-colonial architecture, and pretty flowers, so quit yer whinin’)
Just a quick note to point my faithful readers to a rich and perceptive account of a night out at Berghain written by Tavia Nyong’o at Hear is Queer. His comments about the frequently-misunderstood aesthetics of techno and the difficult-to-represent experience of losing oneself in dancing are both welcome contributions to the online discourse about EDM.
The last time I was in Berlin, I actually did not spend as much time out listening to music as I should have. I think I was turned off by the amount of US music on the German radio, and the prominence of international touring acts on the rosters of the most heavily advertised venues in the city, and hastily concluded that the mus … Read More
ey folks, do you party in Chicago? Are you (or were you) a part of any of Chicago’s Electronic Dance Music scenes? Well, then LMGM’s Super Funtastic Surveygasm is just the thing for you!
Well, OK, maybe it’s not as funtastic as the title suggests; and it’s probably not going to give you an orgasm (if it does, don’t tell me). But you will be helping me out and contributing to a better understanding of the Chicago scene(s). This survey is primarily background research for a magazine/journalism article I’ll be writing soon on “Clubbing in Chicago,” but I’m also planning to use the results as another source of data for my own dissertation research (for which Chicago is one of 3 main research sites). As an added plus for all those who participate, I’ll be publishing some of the preliminary data on this blog; also, on the survey form, you can opt-in to be contacted when I publish the results.
The survey is anonymous and should take no more than 15 minutes. So, grab a drink, make yourself comfortable, and click on the image of Mr. HappySurvey below to begin:
erhaps it’s too late for your hazy memories, but: what were your tracks of the summer of 2010? Much like the project I started last year, I’m planning to put together a DJ mix that reflects the sounds of my recent trip to Berlin. This is primarily directed at folks who were in Berlin last summer and were hearing the same tracks I was, but I’m still happy to have suggestions to people who were partying elsewhere. If you were hearing a track all over the place during the summer, post it in the comments! Here’s my preliminary list:
Somewhere in Revaler Straße 99, someone is very pleased with himself
n this post, I want to make the somewhat counter-intuitive argument that there are some privileges to being a local DJ. In so doing, I’ll also explore how the privliges of being local intersect in surprising ways with vinyl/digital debates and ideas about expertise, labor, artistic value, authenticity, and so on. More broadly, I’ll be making some arguments about how privilege works in Electronic Dance Music (EDM) scenes and why this should make us re-think how we understand our commitment to the values of inclusiveness and equality that are part of the history of EDM scenes (if sometimes in contradictory ways). You might ask why I use the term “privilege” here instead of “advantage” or “benefit.” This is because the notion of privilege helps give me clarity about how the ease or difficulty of doing something can say something about the uneven distribution of access, opportunity, and resources in society. I’ll come back to privilege in a moment, but let’s begin first with brighter side of local-ness. (more…)