ouldn’t it be great if there were a book entitled, “How To Do Fieldwork in Nightclubs and Bars?” Certainly, when I was working on my own dissertation, I wished that other nightlife-researchers would be more open about their methods and more generous about giving advice to new ethnographers of nocturnal scenes. To be honest, a fair number of nightlife-researchers have published some details about their methods; it’s usually tucked away discreetly in an appendix or in a section of the introductory chapter. But these brief methodological reflections often lack too much detail to be instructive and—frankly—I’m not always satisfied with their solutions to the problems of nightlife fieldwork. Despite all my griping, I have been guided by the methods of some nightlife researchers, such as Fiona Buckland in her book Impossible Dance: Club Culture and Queer World-Making (2002).
In any case, very few nightlife ethnographers actually describe their research methods in detail, even though the circumstances of nocturnal scenes often pose difficult challenges to conventional fieldwork methods. Just a few of these are: (more…)
Yes, there's a company dedicated to techno tourism. In fact, there are several. This was taken at the FLY BerMuDa party in early November, 2011
s I was conducting an interview a couple of nights ago, I realized that I didn’t have a publicly-accessible and easily-readable description of my current research project on so-called “techno-tourism.” If you read my article on the Spreepark party in Resident Advisor last fall, you probably already have an idea of what this project is about: the waves of travelers coming to Berlin for its nightlife scenes, many of them enjoying a kind of international mobility that used to be the exclusive domain of wealthy “jet-set” elites. The framing of my project is pretty much directly indebted to Tobias Rapp’s book (Lost and Sound: Berlin, Techno und the Easy Jet Set, 2010) and his coining of the word “EasyJetSet,” which highlights the similarities to and differences from an earlier era of luxury “jet-setter” tourism.
There’s a lot to be said about this project, about the earlier research that has been done on tourism, the economic and social factors, and so on, but here’s a concise summary of the most relevant points. (more…)
Tony Rohr and Elon at the Volatl/Clink party at DEMF 2010
rüße aus Berlin! I made it back to Berlin after the AAA conference in Montréal, and lately I’ve been something of a shut-in, mostly shunning the nightclubs (and thus neglecting my fieldwork, in a sense) and devoting my time to catching up with job applications, fellowship applications, conference papers, and so on. Nonetheless, I’m still committed to finishing this series of chapter-by-chapter summaries of my dissertation. More than halfway there!
(NOTE: This is the eighth installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)
My main argument in this chapter might sound a bit obvious to people who do any kind of nocturnal partying, but at the same time it’s surprisingly hard to describe and interpret in a coherent way. Essentially, I argue that, when most people go out—or plan on going out, or remember going out—their notion of what makes “a good night out” seems to involve the combination of contrary desires for (more…)
ise Waxer was an ethnomusicologist of salsa music, respected and admired for her critically-acclaimed book tracing the development of salsa music, vinyl recordings, and memory in Colombia, entitled, The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia (Wesleyan, 2002). A year later, her book would be awarded the highest prize for a monograph (i.e., single-author book) in her discipline by the Society for Ethnomusicology (SEM), namely, the Alan Merriam Prize (2003). But Waxer was never able to receive her prize or the well-deserved recognition that came with it, because she died suddenly in the summer of 2002. That fall, at the meeting of SEM where she was also awarded the Merriam Prize, the Popular Music Section of SEM decided to establish an award in her honor: the Lise Waxer Student Paper Prize. To remember her pathbreaking work in the ethnomusicology of popular music, this prize sought “to recognize the most distinguished student paper in the ethnomusicology of popular music presented at the SEM annual meeting.”
Well, the good news is that I won the Lise Waxer Student Paper Prize this year. (more…)
I love me some contrasting stripes. A lovely public art installation in front of UQÀM, Place Pasteur.
ey folks, salut de Montréal! I’ve had “write articles for blog” on my to-do list for the last month or so, but then real life keeps on being inconvenient. At the moment, I’m in Montréal for the AAA meeting (American Anthropological Association), which is a massive 7000-person mega-conference. I gave a paper last Wednesday, spent the rest of the week going to far too many papers, dropped an obscene amount of money at The Bay buying proper Canadian winter clothing, and now I’m preparing to go give a guest lecture in a seminar at UQÀM (Université de Québec à Montréal). I’m still planning on finishing the series of summaries of my dissertation chapters—and I have an interesting report on the BerMuDa weekend in Berlin, too—but here’s a short little thing to tide us all over. Oh, and by the way, I heard that, way over at the Society for Ethnomusicology conference (SEM), I was awarded the Lise Waxer Student Paper prize for the paper I gave last year. Yay! Incidentally, the paper was drawn from one of my dissertation chapters on “liquidarity”.
So, I once made a sort of joke-motto with some fellow humanities grad students that went something like this: “The Humanities: We Make Interestingness.” This was in response to (more…)
kay. It’s been nearly three months since my dissertation defense, two months since my graduation, and two weeks since I moved to Berlin. Things have been crazy busy, but I’m still determined to finish this series of chapter summaries. It’s a surprising amount of work to summarize this gigantic, sprawling thing as a series of “plain English” blog posts. Anyway, here comes the affect!
(NOTE: This is the seventh installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)
This chapter is about tracing the connections between intensity and togetherness. The full version of this chapter wades into a fair bit of theory, but I’ll try to keep things streamlined here. Essentially, this is how I go about tracing the connections: (more…)
es, I know that it’s been more than two weeks since I defended my dissertation, and yet this chapter-by-chapter series on my dissertation is not even halfway finished. This is partially due to the fact that I had to take care of post-defense revisions and re-submit a final draft to the university before an immovable deadline. But this is also partially due to the fact that I partied and relaxed and partied and relaxed for quite a few days after the defense itself. I regret nothing.
(NOTE: This is the sixth installment of a series where I summarize my dissertation through blog posts. You can find the inaugural post here.)
So, this chapter expands the analysis of intimacy from the previous chapter to the broader scope of nightclub crowds. Whereas the previous chapter thought about intimacy primarily as contact between a pair of strangers, this chapter focuses on the loose social bonds that hold together a crowd of strangers at an EDM event (a party, a nightclub, etc). I develop a concept that I call liquidarity (more…)
A fairy-ring of mushrooms grew overnight on the lawn during the NEH Summer Institute at Wesleyan
uring the preparation of the final, revised, post-defense version of my dissertation, I finally had to flesh out all of the “front matter” of my dissertation. The front matter usually includes things like an epigraph, a dedication, acknowledgements, a table of contents, lists of tables/figures/maps/etc., and an abstract of the dissertation. Writing the acknowledgements was surprisingly hard, and there were a lot of people, organizations, and things that I couldn’t acknowledge in a scholarly dissertation. But this is a blog, and I have considerably more freedom to shift between levels of formality and punch through layers of politics and politeness. So here are all the other things for which I am grateful, dissertation-wise. (more…)
PHD: Pizza Hut Delivery in Lima, Peru. Note the image of a delivery boy on fire on the left…
uick interruption in my dissertation-by-blog series to say: I’m a doctor! No, not the kind of doctor that can write a prescription and stick things into your orifices (although I suppose that depends on the context), but a PhD. I defended my dissertation on Tuesday morning, July 19th, 2011. It went well, tons of people showed up, and I wore this lovely new suit that I got tailored during my trip to Peru earlier this month; charcoal with violet pinstripes!