The crowd at the “open door” day for the launch of the Holzmarkt/Mörchenpark project.
ecently, there’s been some more news on the Holzmarkt/Mörchenpark project. The city has changed its plans for the property that’s up for sale, and this might benefit the bid and development proposal put forward by the Holzmart/Mörchenpark team. In a recent article in the Berliner Zeitung (from which I’m getting most of my information for this update), the author Karin Schmidl summarizes the changes thusly: “No high-rises, no office-building monolith, no hotel blocks.” Whose development proposal was already free of all these things? That’s right: Holzmarkt.
Some tile-work inside the Abgeordnetenhaus, where the city’s senate meets and does business.
usicboard is a cultural policy and funding initiative created by Berlin’s municipal government, with the stated goals of supporting the city’s music industry, presumably in a way similar to Berlin’s Medienboard for film and media industries. According to its official website, the project is supposed to “make Berlin more attractive as a site for popular music.” Starting in 2013, the city of Berlin will make 1 Million Euros available towards supporting these goals, but the debates have already started about how this money will be distributed, what the role of Musicboard should be,who should be running it, and even whether the project will improve or worsen the conditions of music-making in Berlin. (more…)
örchenpark (including the Holzmarkt project) continues to develop. Already there’s a Facebook page, which seems to date from before the actual open-house event last week, based on the posts and the photos. Thanks to the wonders of tagging, you can actually find a lot of images of the event by looking through “Photos of Mörchenpark” on the Photos page. But also, this morning the Kater Holzig mailing list got this Sondermitteilung (Special Announcement):
The junk-mountain with a carrousel in the foreground.
ack in the fall of 2010, Bar25—that infamous den of excess, escape, hipsterdom, confetti, and exclusiveness—finally closed its doors. The space lay fallow through 2011 as the city (through the public sanitation company, Berliner Stadtreinigung or BSR) prepared sell off the property. Now, the premises are going on the auction block, and the former management team of Bar25 is raising money to buy it back.
But they won’t be rebuilding Bar25 anytime soon. (more…)
K, so I originally thought this blog post would be a short little summary of my very first May Day in Berlin, but when I sat down and wrote out my notes the next day, I produced pages and pages of text. So, this is my attempt to reduce everything down to a brief narrative with some pretty pictures. But I won’t keep you in suspense: I wasn’t teargassed or pepper-sprayed or tasered. Most of my day was actually spent wandering around the MyFest street-fair, dancing at a few open-air events, and hanging out with friends. Even the infamous “18Uhr Demo” was mostly peaceful—at least until the end. (Slideshow of 51 images at the end of this article.) (more…)
Translation of sticker over Sarkozy's eyes: “What banker ever complained about universal suffrage?” Sticker by Diktacratie*, an organization that is skeptical of claims to democracy, claiming that the current system doesn't really represent everyone.
t just so happens that my stay in Paris coincides with the final week running up to the first round of the French presidential elections. As you might imagine, the news in Paris is flooded with coverage and speculation. There are very tight laws in France about giving equal media coverage to all election candidates, so mentioning any aspect of the election necessitates also mentioning all the other aspects in equal measure. This makes for daily newspapers that look like textbooks. For example, one small commuter newspaper that I picked up while waiting for a friend offered a “comparative table” of the campaign platforms of all ten candidates. This involved a ten-row table, with so many columns, that it ran over three pages (some sample columns: Immigration, EU Debt Crisis, Environment, Work and Labor, Housing, Crime and the Legal System)—all of it in tiny, tiny print.
As I was passing by the métro station of Lamarck-Caulaincourt (more…)
The view from my very first apartment in Paris, overlooking the boulevard péripherique.
eudi à jeudi, de retour à Paris. I haven’t been back to Paris in more than 1.5 years, which is pretty much the longest stretch of time I’ve been away from this city since the first time I came to do dissertation fieldwork in 2006. My last visit was really just a brief week-long visit (much like this one), so it’s really been 2.5 years or so since I’ve actually lived in this city.
This time, I was struck by how affectively small and un-intense my experience of return was. (more…)
Magnolias blooming off of Washington Square, NYU Campus, during the IASPM/EMP 2012 conference.
oly crapsticks! I’ve been away from LMGMblog for an inexcusable amount of time. I’ve been quite the busy bee, though. I got a few things published here and there, did some editing on a dissertation chapter that should hopefully turn into a journal article, gave two different papers at two conferences on either side of the Atlantic, and started a new research phase for my current “techno-tourism” project. Oh, and I saw Laurent Garnier play in both Berghain and Panorama Bar last month. I’ve been very busy.
So, here’s a more detailed list of what LMGM’s been up to these past two months, with relevant links and pretty pictures:
The International Association for the Study of Popular Music - US Chapter
xciting news, folks! My series, “Doing Nightlife Fieldwork,” has been cross-posted by the IASPM-US blog with the title “Doing Nightlife Research.” That’s the US chapter of the International Association for the Study of Popular Music. I’m very excited to be seeing this circulating to a wider audience of popular music scholars, especially because I hope that this will prompt more of us to talk about how we do our research. Maybe there will be enough interest to generate a special issue on the topic…
In any case, here are the links to the series on IASPM-US Blog:
Entrance to the Larco Museum of Pre-Columbian History in Lima, Peru. Why should all these pictures be party pictures, anyway?
eep reading, folks! This is the last installment of the series on fieldwork methodology for ethnographic research in nightlife scenes—in other words, how to study a dance music scene without getting in the way. Last Thursday, I posted a brief list of problems that nightlife scenes pose to conventional modes of ethnographic research. Unsurprisingly, most of those issues had to do with the circumstances of EDM (electronic dance music) events themselves; and so, on the next day I wrote another article on “going out” for fieldwork, mostly detailing my own methods and giving a few bits of general advice. Todays post (and the final one in this series) covers a more conventional but no less important aspect of music ethnography: interviews! While the process of actually interviewing someone off-site (i.e., away from an EDM event) is pretty similar to other interviewing situations, there are some important things to keep in mind when (more…)